Copford, St Michael and All Angels Church
History, tourist information, and nearby accommodation
HERITAGE HIGHLIGHTS: Fabulous 12th century wall paintings an Romanesque apse
In 995AD the Bishops of London were granted Copford manor, and held the estate until 1559 when the Catholic-leaning Bishop Bonner refused to take an oath of allegiance to Elizabeth I. It seems likely that the Norman bishops visited Copford Hall regularly and built a church beside it to serve as a chapel, with construction beginning around 1130. That early church was dedicated to St Mary; it was not until the late Victorian period that Copford's church was rededicated to St Michael and All Angels.
The church is built of rubble mixed with Roman and medieval bricks. The most striking part of the building is a semi-circular eastern apse, a rare feature among English churches and almost unaltered since it was built. The style is thought to have been influenced by Roman buildings at nearby Colchester. Another external feature is the west belfry, built in the late 14th century and attractively shingled in oak. Below, on the west wall, is a round-headed window opening built from Roman bricks, flanked with circular openings called occuli. These possibly gave access to an external balcony used for a pulpit or for display of relics.
The blocked north doorway retains parts of its original hinges. There is a local tradition that a Dane was caught trying to plunder the church. as a punishment he was flayed and his skin placed over the door. In 1708 some fragments of what was thought to be parchment were found under the hinges. When the 'parchment' was analysed in the early 20th century it was found to be the skin of a fair-haired male. So was the legend true? Well, only partly; it seems highly unlikely that the skin belonged to a Danish warrior, as the last Danish raids took place 2 centuries before the church was built. It is much more likely that the skin belonged to a serf caught poaching. Early Norman justice was harsh, and a law of Henry I ruled that a bondsman (i.e. a man owing fealty to a lord) was caught even chasing a deer, he was to lose his skin. A free man, by comparison, would 'only' lose a hand for his crime.
Thankfully, all that medieval chopping and changing did not affect the Norman apse, the architectural highlight of this wonderful church. The apse is almost exactly as it was built in 1130, with a semi-domed vault that is an exquisite testimony to Romanesque style. The entire surface of the vault is covered with a superb wall painting depicting Christ in Majesty. The colours are more vivid than you might expect from a 12th century painting; that is die to a rather over-zealous restoration by a Victorian artist, but the essence of the painting remains, and it is utterly compelling, a true work of medieval art.
Sections of murals were lost over time as arches were inserted in the original Norman building, but the remaining paintings were covered completely under layers of lime wash in 1547. In 1690 sections of painting were discovered by workmen, then in 1871 the lime wash was carefully removed in the apse, revealing the figure of Christ in Majesty. Artist Daniel Bell was brought in to restore the medieval artwork. Bell not only used the wrong type of plaster, causing damage to the original art, but he overpainted the medieval artwork, giving it a Pre-Raphaelite flavour in places. He also added details that were not in the original paintings. Also, in 1886 an unknown artist added figures over the chancel arch and west wall.
Other scenes depict knights in mail, saints, angels, and a complete set of Zodiac symbols over the chancel arch. This is thought to be the only medioeval representation of all Zodiac symbols together in an English church.
Though it is hard to tear yourself away from the wall paintings, there are indeed other features of the church that deserve a look! Among these is a 12th century square font with four corner posts and a central pillar. The bowl is decorated with blind arcading on all four sides. There is also a beautiful, almost overwhelming, gilded royal coat of arms. But of course it is the wall paintings that most people will come to see, and so they should.
I love visiting the great churches of Britain, but I love visiting quiet country churches even more. There always seems to be something wonderful to discover, even if its just a sense of permanence and heritage. Here at Copford that 'certain something' is amplified times ten. This is a wonderful little church, a marvellous example of Norman art and architecture, and a real slice of British heritage in a nutshell. Its a national treasure.
THE WALL PAINTINGS
Address: Copford, Essex, England, CO6 1DG
Attraction Type: Historic Church
Location: Signposted from School Road and Aldercar Road. Head right through the village and just when it seems you're heading into open countryside, there's a sign to your left to the church, located beside Copford Hall. Lots of free parking, and usually open daylight hours.
Photo Credit: David Ross and Britain Express
Heritage Rated from 1- 5 (low-exceptional) on historic interest
Lexden Earthworks and Bluebottle Grove - 2.8 miles (Prehistoric Site)
Layer Marney Tower - 3.2 miles (Historic Building)
Layer Marney, St Mary's Church - 3.3 miles (Historic Church)
West Bergholt, St Mary's Church - 3.6 miles (Historic Church)
Audley Chapel, Berechurch - 3.7 miles (Historic Church)
Colchester Roman Town Walls - 3.9 miles (Roman Site)
Colchester, St Mary at the Walls - 3.9 miles (Historic Church)
Jumbo Water Tower - 3.9 miles (Historic Building)
Nearest Accommodation to Copford:
Nearest Self Catering Cottages
Nearest Bed and Breakfasts
Visitor Information Centre
Tel: 01206 282 920
Alternate Tel: 01206 282 828
Fax: 01206 282 924