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King's College Chapel, Cambridge A guide to Cambridge and Cambridgeshire, England, highlighting attractions, history, and visitor information. |
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![]() King's College Chapel, CambridgeHISTORY The Chapel was founded by Henry VI in 1441 as part of his grand scheme for creating at King's a college to take graduates of Eton, founded the previous year. The chapel was intended to form one side of a grand court but the residential ranges planned for the other three sides of the court were never completed. Henry compelled landowners in the town to sell him plots along the river, and he proceded to pull down residences, shops, and even a parish church to make room for his creation. Henry intended his chapel to be without equal. He employed his royal architect, Reginald of Ely, to draw up plans for a church along the lines of a cathedral choir, and Henry himself laid the foundation stone of the new chapel on 25 July 1446. Building continued until 1461, through the opening hostilities of the Wars of the Roses. But when Henry VI was taken prisoner by thefuture Edward IV, workmen packed up their tools and went home. It is said that a half-cut stone left by the workmen was eventually used as the foundation stone for the Gibb's building in 1724. The extent of this early building phase is clearly noticeable. The builders used white Tadcaster limestone, and the upper limit of this stone can be traced, particularly in the butresses. Very little building was done under Edward IV, but Richard II's short reign saw the first 5 bays of the chapel completed and put into daily use. Henry VII provided the necessary funds to turn the half-finished chapel into a complete building. The chest which carried Henry's initial gift of money is preserved in the Chapel Exhibition in the northern side chapel. The main structure was finished in 1515, and Henry VIII funded the interior woodwork and screen. The magnificent - there is no other word to describe it - fan vaulting was completed in just 3 years, between 1512-1515 by master mason John Wastell. The chapel surprisingly escaped major damage during the Civil War, despite the fact that Cromwell's troops used it for a training ground in inclement weather. It is possible that Cromwell himself, being a Cambridge student, gave orders to spare the chapel. Most of the stained glass was removed during WWII, and the Chapel again escaped damage. CHAPEL HIGHLIGHTS The superbly carved screen between the antechapel and choir was a gift of Henry VIII. The screen bears Henry's initials twined around those of Anne Boleyn. The organ is a true work of art, constructed 1666-68, and rebuilt several times since then. The pipes rise above the screen, upon which they rest. The Tudor choir stalls were made by Peter the Carver, who was also responsible for the screen. The canopies were added in the 17th century. Rubens' striking painting Adoration of the Magi (1634) looks down on the high altar. To the left of the altar is the Chapel Exhibition, which illustrates the different phases of the chapel's building, with scale models, plans, workman's tools and period costumes. SERVICES
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